profit has the worker from that in which he labors? 10I have seen the God-given task with which the sons of men are to be occupied. 11He has made everything beautiful in its time. Also He has put eternity in their hearts, except that no one can find out the work that God does from beginning to end. When people in Marion think of the perfect couple, John and Abby Reynolds automatically sprang to mind. After twenty-two years of marriage, everyone who knows them laud their idyllic relationship. But John and Abby have a secret – they can no longer stand each other. And when they bring their children together to break the news, their daughter shares news of her own – she’s getting married. Reluctantly, John and Abby decide to keep their problems to themselves so as not to ruin their child’s special moment. The story is one of love, lust, jealousy, frustration, mixed loyalties, obsession, misunderstandings & the issues & problems that are present in a relationship where there is a large age & class gap, though common ground is found in this instance. The subject matter at first seems a little risqué – a 54 year old married man falls for a girl 36 years his senior. Now, this could have gone any way really – it could easily have come across perverse or sordid, but it is all credit to the writing that it is in fact is a masterpiece of the emotions. You use the chimes of the handbells at strategic points to denote the passing of time – striking the hours of three, six and so on – and the work’s diverse texts tightly integrate the times of day, of the year and of human life. How did you manage to find texts reflecting all three parallel progressions as closely as your music does?

For me, creating music is a lengthy and arduous process; I have to find ways of keeping myself amused in the long lonely hours. This might be by setting myself a particularly knotty technical challenge – concealing an intricate canon below the surface of the music, for example, or hiding occasional musical puns within the texture. Mention of ‘the seasons’ is almost guaranteed to bring The diurnal cycle of the hours and the annual cycle of the seasons are firm favourites with poets, offering as they do rich possibilities for metaphor. I decided to conflate the two cycles to make a four-part structure: Spring Morning; Summer Noon; Autumn Evening; Winter Night, and to characterize each with a different solo voice: soprano; tenor; alto; bass. The overall design is completed by a Prologue and an Epilogue, with different texts but in which the underlying depiction of sunrise by the orchestra and largely wordless choir is identical, so bringing us musically full circle. There are also two additional/optional ‘movements’—‘Times and Seasons’ which the choir sings at the start while entering in procession through the audience, and an After-dance, ‘Proper Exercise’ (more of which below).Gill's Exposition of the Entire BibleA time to weep, and a time to laugh,.... There is a time for these things, as it goes ill or well with persons, as to their health, estate, or friends; and as it goes ill or well with kingdoms and states. The Jews wept when they were in Babylon, and their mouths were filled with laughter when their captivity was returned, Psalm 137:1; and as it goes ill or well with the church of Christ, when there are corruptions in doctrine and worship, a neglect of ordinances, declensions in faith and practice, few instances of conversion, and there are divisions and contentions, it is a time for the mourners in Zion to weep but when God creates Jerusalem a rejoicing, and her people a joy, or makes her an eternal excellency, and the praise of the whole earth, then it is a time to rejoice and be glad, Isaiah 61:3; and as it is, with believers, when Christ is withdrawn from them, it is a time to lament, but, when the bridegroom is with them, it is a time of joy; when it is a night of darkness and desertion, weeping endures, but when the morning comes, the day breaks, and the sun of righteousness arises, joy comes with it, Matthew 9:15 John 16:19. Now in the present state is the saints' weeping time; in the time to come they will laugh, or be filled with joy unspeakable and full of glory, Luke 6:21; Meh. This was a Christian cheating story with very little physical cheating (kissing - witnessed by wife!!), but full-on emotional cheating. I haven't lived through infidelity, so I can't accurately predict what my own red line would be in such a situation. In this relationship, the H had all but admitted to falling in love with the OW and the couple was actively pursuing a divorce. Plans were in place for the H and OW following the divorce. Their public interactions were drawing suspicions, gossip, and frequent phone calls to the weary wife. The H's status as a Christian married man (and waiting on his perfectly pure, innocent, and devout Christian daughter's wedding) seemed to be the only barrier from turning their emo love story into a physical one. I understood how and why his wife turned into a shrewish harpy. There's quite a bit of Christian scripture-based monologue, so if that's not your thing, this isn't your book. I didn't buy the ending. I don't think there's a chance in hell that the wife could move past her H's lusting and pining for the OW.

Musically this is a gloriously eclectic piece, with milonga-inspired movements sitting along Philip-Glass-esque polyrhythms, all set within the mould of Baroque-derived instrumentation. What would you say are the most significant influences on your compositional style? John is caught up in the fight between lust and staying true to his wife. The Girl he waited for was gone, his personal cheerleader was gone, and the person who believed in him more than he believed in himself was gone! She didn’t listen to him anymore, she didn’t care about his wants and needs, all she did was fight and scold. With their marriage dead for the past four years and John finding a new best friend - who is everything Abby was in the beginning - who could blame her? In A Time to Dance, Karen Kingsbury paints a portrait of a Christian family with a crumbling foundation. As John and Abby struggle to avoid each other through the course of their daughter’s engagement, they turn not only from one another but also from God. They ignore or refute his promptings, even while wondering why He no longer cares to give them comfort. Both are mired deeply in a web of pride and self-pity, refusing to give, becoming more and more bitter. Alec Roth’s new cantata is a celebration of times and seasons, and a joy to hear. Also included are new settings of the Magnificat and Nunc dimittis and of George Herbert’s Antiphon ‘Praised be the God of love’. People who enjoy reading religious books would enjoy this novel, as it explores ones’ own sense of religion, making the reader question oneself about how they had treated their religion. Also, people who enjoy romance novels would enjoy this book. Instead of it being a book about two people falling in love, it’s about two people having to learn how to fall in love again to make a good example for their family. People who enjoy reading a long, slightly more challenging read would also enjoy this book because it makes a person question their own morals on multiple levels. Generally anyone who enjoys a good book that challenges their mind would thoroughly enjoy this book.

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Here young Nelson is in the first year of secondary school - or would be if he turned up. Much of the time he is skiving, a continuation it seems of his primary school avoidance where his mother almost went to court over his absences. The story doesn't make much of this avoidance, but we can glean from it that Nelson is a solitary child with poor sight, who has to wear a patch to protect his eyes. MacLaverty doesn't tell us the disease but we can work it for ourselves based on the name of the patches he has to wear: Opticludes which are worn when people have amblyopia, weak vision in one eye, or basically a squint. If Oedipus blinds himself late in life realising that he has slept with his mother and killed his father, Nelson has poor eyesight early in life but, in a way, this is Oedipus Rex retold. Bernard MacLaverty is an Irish writer with a "Belfast accent, which has never left him, despite having lived and worked in Edinburgh, Glasgow and, remarkably, Islay in the Inner Hebrides." (The Irish Voice) He may have lived for many years in Scotland but much of his work has focused on Ireland or alludes to the country, including his five novels, Cal , Lamb , Grace Notes , The Anatomy School and Midwinter Break . MacLaverty is still very much seen as an Irish writer rather than a Scottish one and yet a story like 'A Time to Dance' manages to capture the city, Edinburgh, in which it is set while also making clear the main characters are very much from elsewhere.

Here young Nelson is in the first year of secondary school - or would be if he turned up. Much of the time he is skiving, a continuation it seems of his primary school avoidance where his mother almost went to court over his absences. The story doesn’t make much of this avoidance, butwe can glean from itthat Nelson is a solitary child with poor sight, who has to wear a patch to protect his eyes. MacLaverty doesn’t tell us the disease but we can work it for ourselves based on the name of the patches he has to wear: Opticludes which are worn when people have amblyopia, weak vision in one eye, or basically a squint. If Oedipus blinds himself late in life realising that he has slept with his mother and killed his father, Nelson has poor eyesight early in life but, in a way, this is Oedipus Rex retold. The perfect marriage! That’s what every person see in John and Abby’s relationship. For almost 22 years they were the couple every other couple wanted to be.A strong quartet of soloists move through the seasons: Grace Davidson is bright, spring soprano, Samuel Boden sensuous, Brittenish summer; Matthew Venner’s countertenor is autumn and bass Greg Skidmore completes the year as winter. All come together with the massed forces of Ex Cathedra (on typically fine form) for a stately Globe-style jig, bringing this immensely attractive cycle to its exuberant close. But at the family meeting where they plan to tell their children, Nicole shares a surprise of her own: she's getting married. How can they spoil her joy with their announcement? They can pretend a little longer—until after the wedding. It is a pity Ms Kirwan seems to regret her role because of the publicity it received at the time. She was only 19 and felt she did not have enough support.

A Time to Dance’ is perhaps a perfect short story, a small contained work that manages to evoke Edinburgh while invoking Ireland, to conjure up childhood without ignoring a mother’s concerns, and is yet another Scottish tale about an absent father. ( Celia , On the Island , Shuggie Bain ). It also reaches into myth with a story of blindness that is likely to bring to mind Oedipus, and concludes with a biblical quotation from Ecclesiastes. It is also sensorially rich and offers too the occasional examples of witty defamiliarisation and restricted, even unreliable narration. A Time to Dance' is a compelling, evocative & highly captivating drama set in and around The Lake District, Cumbria, England. Vivaldi to mind, and I couldn’t resist incorporating a few references to his music, although I now regret mentioning it in my notes for the CD booklet. Vivaldi is a generous composer, his musical ideas ripe for further development, as Bach so often demonstrated. My Vivaldi references vary from a short snippet of melody, to a quite sizeable, much re-composed section, but they have no “deeper significance”, and you haven’t missed anything if you don’t recognise them. Charlene was there when he needed his ego boosted, she always hanged on to his every word, making him feel he was important, and wanted! John’s body wanted Charlene in a way a married man just can’t express. And fighting this want was almost impossible for John, until he took the time to read his youngest son’s SA on Eagles. Here God really opens his eyes to what a marriage should be, and why he could not leave his wife.The music of A Time to Dance is designed so that it can be played either on modern instruments or (as in this recording) on period instruments. But apart from the instrumentation I have not made any borrowings from Bach, although I have done something to which he himself was partial—borrowing from Vivaldi, as you may hear on four pertinent (not to say seasonable) occasions, some more obvious than others. I love how Bach’s music dances and I hope that mine does too, although where Bach might move to the rhythms of the gavotte, minuet or bourée, mine are more likely to be milonga, kuda lumping or disco. Disconnected from God both John and Abby choose not to listen to The Voice in their heart, constantly dismissing it or telling God that ‘no way’ the other person can still love them. Not letting go and letting GOD! The two temporal cycles, Times of Day and Seasons of the Year, are favourite subjects for poets, as they offer such rich possibilities for metaphor when dealing with the human condition. There was no shortage of material; I simply had to spend a lot of time (well over a year) searching and sifting.